'Miscellaneous papers to check'

Includes:

-note on Historical Manuscripts Commission 6th report, 1877

-manuscript indenture of John Percival, 26 July 1651 [photocopy]

-manuscript inventory of James II, 1703 [photocopy]

-letter from Jane Fenlon, County Dublin, Ireland, dated 16 September 1991, concerning James and William Gandy

-letter from Kate, Lady Gibson, London, dated 27 September 1991, concerning a painting of Charles II attributed to Thyss, 1660

-letter from Rosemary Weinstein, Keeper, Tudor and Stuart Department, Museum of London, dated 18 July 1989, concerning the Commonwealth Folding Screen

-letter from Michael Liversidge, University of Bristol, dated 30 June 1981, concerning anatomical drawings by Leonardo da Vinci in the Royal Collection

-letter from Richard Ollard, Bridport, Dorset, dated 29 December 1986, concerning an engraving of Charles II in the Sutherland collection

-letter from Edward Croft-Murray (Teddy), British Museum, London, dated 12 December 1962, concerning the will of Richard Norton at the Public Record Office (National Archives)

-note on an exhibition, 1958

-two letters from Sidney Gold, Reading, dated May-October 1957, concerning the will of Robert Walker

-notes on various journal articles and references

-postcard from Robin Hutchison, Scottish National Portrait Gallery, dated 24 January 1957, concerning a portrait by Mor

-letter from Robin Hutchison, Scottish National Portrait Gallery, dated 28 February 1956, concerning Isaac Visitela

-three letters from E.D. Mackerness, University of Sheffield, dated September 1958, concerning the will of William Austin with enclosed letters

-letter from Gerald (?), British Embassy, Brussels, Belgium, dated 7 July 1958, concerning various topics

-journal article: Morgan, Peter (1986), Poetic Pictorial Multivalency: Milton's 'L'Ellegro' and its illustrators, Journal of Mental Imagery, Vol. 10, Issue 2, 1986, pp87-102

-letter from P.V. Westwood, Time and Tide, London, dated 4 April (?), concerning various topics

-postcard from Edmond S. de Beer, London, dated 22 May 1952, concerning a reference

-letter from Tom Boase, Magdalen College, Oxford, dated 20 February 1952, concerning The Oxford history of English art, Vol. 8, English art, 1625-1714, 1957

-rubbing of a signature on a Keirincx at Christie's, 13 May 1949

-letter from Francis Goring, Hove, Sussex, dated 19 April 1947, concerning Liston (?) belonging to Colonel John Goring

-letter from Edmond S. de Beer, London, dated 7 May 1951, concerning Payne Fisher

-postcard from M.D.W.(?), Brighton, Sussex, dated 13 April (?), concerning a reference about pictures said to have come from Charles I collection

-typescript memorandum on the following painting at the National Portrait Gallery, London: Heneage Finch, 1st Earl of Nottingham, attributed initially to Lely, then anon. after Kneller

-typescript extracts and notes on the Calendar of State Papers Domestic

-two postcard from M.D.W.(?), Brighton, Sussex, dated March-April 1950, concerning the Earl of Arundel

-letter from John P. Feil, Chicago, Illinois, USA, dated 1 December 1956, with enclosed notes concerning documents at the Public Record Office (National Archives)

-notes on the following article by Jane Fenlon: Fenlon, J. (1987), The Painter Stainers Companies of Dublin and London, craftsmen and artists, 1670-1740, in New perspectives: studies in art history in honour of Anne Crookshank, Dublin: Irish Academic Press [c 1987]

-letter from G.C.R. Morris, Royal College of Surgeons, dated 16 April 1981, concerning Abraham Vanderdoort; and James Cole with a copy of Millar's reply

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