Sub-series
'Vox Pop'
Catalogue reference: MS 4000/6/1/53
What’s it about?
This record is about the 'Vox Pop' dating from 1967.
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Full description and record details
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Reference (The unique identifier to the record described, used to order and refer to it)
- MS 4000/6/1/53
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Title (The name of the record)
- 'Vox Pop'
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Date (When the record was created)
- 1967
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Note (Additional information about the record)
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Copyright: BBC
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Arrangement (Information about the filing sequence or logical order of the record)
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The tapes have been arranged in three groups: actuality, edited material, and programmes. The actuality tapes have been catalogued following the order of the numbers on the original boxes; this series is followed by other actuality tapes that did not fit into this sequence. Copies of the programmes have been grouped together by programme. There are several versions of some programmes.
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Related material (A cross-reference to other related records)
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See MS 4000/2/121 for related papers.
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Held by (Who holds the record)
- Birmingham: Archives, Heritage and Photography Service
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Physical description (The amount and form of the record)
- Items: 124
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Administrative / biographical background (Historical or biographical information about the creator of the record and the context of its creation)
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A series of eight programmes broadcast in 1967 documenting the 'pop song' phenomenon. First titled 'Ready, Steady, Stop' and later renamed 'Vox Pop', these programmes, by Geoffrey Reeves and Stuart Hall, included interviews with many critics: Richard Hoggart, Ewan MacColl, Kingsley Amis, Adrian Mitchell, Ray Gosling, Eric Hobsbawm, Clive Barker, George Melly, David Craig and others, and a cross-section of teenagers. The sound recordings surviving in the archive are mainly of interviews with critics; there are very few interviews with teenagers.
Memos relating to the production of the programmes describe the series as 'programmes on the pop song phenomenon...in which critics and performers, sociologists, promoters, and laymen listen to the product, discuss the charts, and dare to discriminate'. The first six programmes are summarised in the production files as follows: 1) 'Teen Scene', about the pre-war background; 2) 'It's My Life', about the post-war progress from skiffle to beat; 3) 'Muscular Music', a response to the musical qualities; 4) 'Common Market', some views on the mechanics of trend spending and how a pop song is born; 5) 'Window Dressers', about pop song promotion and the role of Disc Jockeys; 6) 'You Can't Dance to Beethoven, Can You?', a culture vacuum and how it is filled.The final two programmes deal with protest song and the movement from protest song into the psychedelic.
There is also a series of eight tapes labelled 'Beatlemania', which are recordings of American folk songs, probably copied from records. See MS 4000/6/1/53/1/D for a typescript list of performers and instruments featured on these recordings.
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Record URL
- https://beta.nationalarchives.gov.uk/catalogue/id/6c2e3f01-cb6c-4c53-81c2-7895b643d446/
Series information
MS 4000/6/1
Programmes and projects - BBC and non-BBC
See the series level description for more information about this record.
Catalogue hierarchy
This record is held at Birmingham: Archives, Heritage and Photography Service
Within the fonds: MS 4000
Charles Parker Archive
Within the sub-fonds: MS 4000/6
Sound recordings: programmes, projects and research material
Within the series: MS 4000/6/1
Programmes and projects - BBC and non-BBC
You are currently looking at the sub-series: MS 4000/6/1/53
'Vox Pop'